Synthesizer Build part-68: VC DELAY by BMC.

This is BMC 83 the voltage controlled delay using the PT2399 chip. This is a eurorack friendly project.

Dispite the fact I built over 68 projects I never build a digital delay or reverb, except for project 11 but that was a ready made effects unit. This project takes care of that. It can deliver delays of up to 4 seconds, but not in high quality. The PT2399 wasn't made for such long delay times but shorter times sound really good and with the long times you get some cool distortion, sort of a bitcrush effect.

This was quite an easy project to build. You can find the original article on the Barton Musical Circuits website. There are audio demonstrations on that website so you can hear what the delay sounds like. I also made a demo video myself which you can find at the bottom of this article.

This circuit will work fine on both a dual 12V or a dual 15V powersupply.

The finished delay module

Here's the schematic I used to make my layout from. I changed the opamp numbering to match that of the layout.

I didn't use the 10 Ω resistors in the powerrails as shown on the schematic. But if you have problems with hum you can include them. You could put a 10 Ω resistor from K-3 to I-3 and then lead the red wirebridges from there and the purple wirebridge could be replaced with a 10 Ω resistor for the negative voltage rails.

The diode and 1M resistor in combination with the 100nF cap and the top transistor with collector to pin 6 of the PT2399 make up an anti latch-up circuit that presents a high impedance to pin 6 in the first 400mSec after you switch on which gives the internal oscillator time to warm up and prevents the chip from latching up and crashing which can happen if the resistance between pin 6 and ground is less than 2K at start-up. After start-up this resistance can be much lower but not a straight short to ground. In this module the resistance is then controlled by the second transistor which is opened up by the time control potmeter or external CV input. This resistance controls the delay time.

So there are voltage controls with level potmeters for the delay time and the return amount and the module has an audio output that outputs just the delayed signal and a mixed audio output which mixes the original signal in with the delayed signal controlled by the 'Mix' potmeter. There's also a tone control potmeter which also influences the return time I noticed (see demo video below)

The delay time range goes from 60 milliseconds to 4 seconds but like I mentioned earlier the audio fidelity drops quite a bit with longer delay times, mostly at times longer than 2 seconds but that doesn't have to be a bad thing. It has quite a cool distortion effect. With the longest delay times you do get some clicks and artifacts mixed in the audio but it's not much. The delay times are controlled by the two transistors forming a voltage controlled current sink. The 47 Ω resistor at the emitter of the bottom transistor determins the shortest delay time while the 330K in parallel from the collector to ground determins the maximum delay time.

In my own build I did notice quite some dead space at the beginning (ccw side) of the 'Time' potmeter but lowering the value of the 47 Ω resistor didn't do anything. 

I urge you to download the PDF accompanying the original project. It has a comprehensive description of how the circuit works and what all the components do. 

Here's a block diagram of how the delay works. This is also from the PDF that comes with the build instructions on the BMC website. 

Audio in 2 is the Return input and it has the Direct Output normalled to the socket switch. So if you take the direct output into an external effect module and take the output from that module and connect it to the return input you can have an external effects loop going, creating all sorts of possibilities. You can, for instance, lead the direct output into a lowpass filter and have the VCF out connected back to the return input.

HOW TO PATCH UP THE MODULE:

To get the best out of this module you need to make a synthesizer voice in your modular synthesizer where this delay sits behind the VCA at the end of the signal chain. You can also patch it up so that the delay sits inbetween two VCA's and have the second VCA opened by an ADSR with a slow Release time. That way you get more control over the Delay time, but it's not necessary. The minimum Delay time is 60mSeconds so it won't be able to create flanging or chorus effects. But you can mix in the effect with the clean signal by using the Mix control and the Mix output.

LAYOUTS:

Here are the layouts I made for this project. They are verified as always. I used them to build my module. This was almost another hole in one. I made one little mistake. I had all four non inverting inputs of the TL074 grounded only the last opamp with the direct output must not be grounded. Once I corrected that the circuit sprung to life. Pins 5 and 10 of the TL074 are connected through the strip underneath the chip. The 'Tone' control potmeter has pin 1 not connected. It's important to wire it the way you see in the layout or it won't work properly.

Wiring:

Stripboard only:

Cuts and wirebridges. You know the drill, mark the cuts on the component side using this guide and then stick a pin through the marked holes and mark them again on the copper side. Then cut the marked positions with a hand held 6- or 7mm dril bit.

Don't forget to cut position P-8 underneath the ground wirebridge.

Here is the Bill of Materials. 

It might be a good idea to use a logarithmic 100K potmeter (A100K) for the return potmeter. A lot of changes happen quite early in the throw of that potmeter. However I used a linear 100K myself and that works fine too. But the log type would be more convenient. You could use other value potmeters for all but the Tone Control. That has to be a 10K linear potmeter. The other potmeters are just voltage dividers in this circuit.

PICTURES:

Here are some pictures from the build proces:

I left out the two short wirebridges that connect all 3 ground strips at the eurorack connector together. Instead I soldered them together with some extra solder bridging the gaps.

Stripboard all wired up for testing. I normally only wire things up when I have the panel ready so I can keep the wires as short as possible but with this module I had to be sure first that everything worked. Anyway, it made mounting the board behind the panel easier coz no need for soldering and I was able to stuff all the wiring underneath the stripboard out of harms way.

This is the panel with the waterslide paper applied ready to receive a final thick coat of clear lacquer. The panel is 14hp wide (7CM). the width I normally use because it allows me to mount the stripboard flat behind the panel keeping the depth to a minimum.

Here's the panel design I made in Photoshop just in case you want to use it. It's in A-4 format 300pix/Inch resolution.

Module on the test bench:

The rear of the module. It's 3.8 cm deep so it will fit any Eurorack case.

VIDEO DEMO:

Here's a little demo I recorded showing the module in action.

Here's an interesting look at the inside workings of the PT2399 chip: --- click here ---

Okay, that's it for this one. Hope you like it.

If you have any questions or remarks about this project please put them in the comments below. Remember comments are moderated so they don't appear straightaway. Only after I read them.

You can also post questions on the special FaceBook group for this website.

If you like this content and would like to support these projects and the upkeep of the website which is presented to you free of costs, you can buy me a coffee. There's a button for that underneath the main menu if you're on a PC or Mac. You can also use this PAYPAL.ME link to donate and cut out the middle man. All donations go straight back into new projects. Thank you!

Synthesizer Build part-67: KASSUTRONICS PRECISION ADSR.

The best version of the 7555 based ADSR's on this website. This one uses precision rectifiers to eliminate the problems the previous versions have. This project is small enough for Eurorack and runs fine on dual 12V or 15V and is easy to build even for beginners.

This is another version of the two 7555 ADSR's you've already seen on this website. The previous ones by Yusynth and Rene Schmitz had the problem that, because of diode voltage drop, the envelope wouldn't get down to 0 Volt after each cycle. The diode in series with the release potmeter would stop conducting when the voltage dropped to the threshold of 700mV in case of a 1N4148 and around 300mV for Schottky diodes.

This ADSR eliminates that problem.

By using precision rectifiers made up of a diode inside the feedback loop of an opamp, you solve the problem of the 700mVolt remaining after the release cycle and so the ADSR not returning to 0 Volt after each cycle. The opamp now has that voltage drop in the feedback loop and compensates for it, effectively creating a perfect diode.

I tried to address the voltage drop problem in the Rene Schmitz version by using Schottky diodes that have a very low voltage drop of about 0.3 V (300mV) and that already helped a lot. This version lowers that even further although on my oscilloscope I could still measure a tiny bit of voltage left over but the majority of that was due to the capacitor I was using. It was about 90mV. I used a normal electrolytic capacitor for testing. I then tried a Tantalum capacitor and that lowered the offset to around 10 to 20mV. That's almost the noise floor so really no problem what so ever. It's 35 times better than using a 1N4148 in the Yusynth ADSR. The reason for this is transistor resistance. The Gate voltage, if switched by a transistor, never reaches zero because of transistor resistance. But this is such a low voltage that you can totally ignore it. So please don't go fretting about 20 thousandths of a Volt. 20mV is equal to 0V!!

Use a 1µF Tantalum capacitor like the schematic says. The slowest risetime you can create with 1µF is 1.2 seconds. If you want longer risetimes you need to connect two caps to a switch so you switch between low and high speeds. That's up to you. I didn't include that option in this project but it's very easy to implement. 

If you want to read more about this ADSR then here's the link to the Kassutronics webpage.

SCHEMATIC

I made some changes to the design of this ADSR. For one, I don't like the high value resistors on the gate input. I always get problems with the gate pulse not getting through. So because the Rene Schmitz version works so well I copied the Gate/Trigger section from that ADSR and put it in this one too. It's practically the same circuit but with different resistor values.

I also changed the inverted output to an attenuverted output. I find that much more useful because you can play with the attenuverter while you're feeding the ADSR signal into the CV input of a filter and get all sorts of cool sounds from it. You can turn it into a normal output if you need an extra output. Much more versatile I think. The schematic below has all the changes I made included.

Eventhough I used BAT43 Schottky diodes for D1 and D2 in the layouts below, you can just put in 1N4148 diodes. The voltagedrop isn't important here and both diodes have the same switching speed of 5nSec. They are just used here as reverse voltage protection.

LAYOUTS:

Below are the layouts I made for this project. As always they are verified. I used them to build my ADSR and it worked rightaway. An other hole in one. 

I alterred the layouts a little one day after posting this article in so far that I added a transistor to drive the LED to avoid pulling down the envelope voltage. 

Wiring: (All potmeters viewed from the backside!) As you can see the potmeter wiring is a bit complicated looking so be accurate when wiring up the pots! 

Stripboard only:

If with testing you notice that the envelope doesn't come up when the Attack potmeter is fully closed then use a 330 Ω resistor in series with the Attack potmeter (R8) instead of the 100 Ω in the schematic. This is something I had to do with my build. 

Cuts and wirebridges seen from the component side.

You know the drill, mark the cuts on the component side, stick a pin through the marked holes and mark them again on the copper side and then cut on the marks.

Here's the Bill of Materials.

Not every component is numbered exactly as in the schematic but most of the resistors are. Order a Tantalum capacitor for C3 1µF/35V. You can use any type of 7555 timer chip. I used the ICM7555. Don't use a normal NE555 though. It might work but they're not ideal. It needs to be a CMOS type.

As usual I didn't put any decoupling caps in but if you want to include it, there's room enough on the stripboard. You can put two 100nF caps; one from plus to ground and one from ground to minus. If you feel you need extra stabilization put some 10µF caps over the power rails too. That's up to you, the ADSR works fine without them.

PICTURES and test results:

This ADSR has a very fast risetime. I measured risetimes of 550µSeconds! The output amplitude of the envelope has a maximum voltage of 8.4 Volt when you run this on a +/-12 Volt power supply. Maximum Sustain level is 8 Volts. This is determined by pin 6 of the 7555 (Threshold) which stops charging the capacitor at 2/3rds of VDD. (+8V). The timer stops and the capacitor is discharged through the Decay potmeter and U2-D and D4 to the Sustain level. The output will stay at the Sustain level until the Gate input stops. Then the capacitor will discharge through the Release potmeter, U2-A and D3 to 0V. As I mentioned before, the maximum risetime of the Attack phase is 1.2 seconds with a 1µF cap. If you need longer times you can put a 1µF and a 10µF on a switch and connect that to the stripboard, so you have a choise. The fast times sound amazing though when used on filters (especially the 303 filter).

Here are some pictures of the finished product. They were taken in the test phase so some components that are on the layout are not in these pictures (like the LED driver transistor for instance).

I used the same faceplate as I used for my previous 7555 ADSR's. I just exchanged the stripboard for this one and wired everything up again.

Here are some screenshots from the oscilloscope. The first one shows the extremely fast risetime of this ADSR/ With Attack set to zero you can get risetimes of 550µSeconds. This with a Tantalum cap and a 330 Ω resistor in series with the Attack potmeter, instead of 100 Ω in the schematic.

Below is a screenshot of the quickest pulse I could get with all potmeters closed. You can see the risetime is the same as above, about 550µSec and the releasetime is faster because it only has 100 Ω in series. It's about 400µSec.Total time is 992µSec. So you could create a waveform with a top frequency of 1kHz with this ADSR.

Below here is the normal and inverted output. The voltages indicated by the scope are a bit lower because I had the LED connected straight to the output. I now have the LED driven by a transistor which means no voltage pull-down so the real maximum voltage is about 8.4 Volt. Max sustain voltage is 8 Volt as is the case with all ADSR's that use a 7555 and are run on +12V because that voltage is 2/3rds the voltage of the positive powerrails. If you run it on +/-15V it would be +10V.

The sustain is actually very stable because of the use of precision rectifiers. There is no leakage of voltage from the sustain stage.

Well, that is pretty much all I have to say about this. It was a pretty fast build, done on a sunday afternoon and because I re-used the faceplate and potmeters etc it wasn't that much work. I hope you enjoy building it. This is without doubt the best one of the three 7555 ADSR's on my website.

TIP: using your ADSR as a VCO. Send the squarewave output of a VCO to the Gate input of the ADSR. Now your ADSR acts as a VCO and with the Attack and Decay you can shape your own wave. It's a trick used in the Psy-Trance. This ADSR is fast enough to do this. I tried it and it sounds pretty cool when you then input it into a filter.

There is one more ADSR design that tries to really come down to zero volts after each cycle and that is the ADSR PRO by Davor Slamnig. You can visit his website by clicking here.

If you have any questions or remarks about this project then please put them in the comments below. Comments are moderated and don't appear straightaway!

You can also post your questions on the special facebook group for this website.

If you like this content and you feel you learned something and you want to make a gesture of appreciation you can buy me a coffee. There's a button for that underneath the main menu if you're on a PC or Mac. You can also use this PAYPAL.ME link and cut out the middle man. All donations go straight back into new projects and the upkeep of the website. Thank you!

Synthesizer Build part-66: ROLAND TB-303 VCF.

The famous acid house filter from the Roland TB-303. A Eurorack friendly project and a ladder-filter that sounds amazing. 

This is the 14th filter on this website and this is one with a very specific sound so I thought let's make a project out of this because I think that this filter in particular will be of great interest to many people because of it's unique sound. I based my layout on a layout that Jake Jakaan made from a schematic he found online in combination with the original service manual schematic of the TB-303 (Transistor Base 303). 

I have to warn you, the filter sounds great in itself but to get that Acid-House sound out of it requires more than just this filter. That specific sound is a delicate balance between filter settings and envelope input and maybe some LFO added. When I connect the Doepfer A-103 VCF6 to my DIY synth I didn't get that acid sound either so it's not the filter in my case. It's my lack of knowledge on how to patch it up to get that sound. My mate Jake Jakaan built a few of these filters and he can really make them sound like a 303 should sound but then he's a professional musician. 

A LITTLE HISTORY:

The TB303 was a bass synthesizer made by Roland and released in 1981. It was supposed to simulate bass guitars but it sounded nothing like a bass guitar and it became a commercial flop. It was taken out of production in 1984 after a run of 10.000 units. These were sold off cheaply by Roland. (If only we knew then what we know now @___@)  However, cheap second hand 303's were picked up by electronic musicians and the twirping, squelching sound became a main stay of electronic dance music genres like Acid House, Chicago house and Techno. There are now numerous clones on the market and original units fetch prices of over $3000,- on the second hand market. Originals were also modified in the 80's, adding distortion and external inputs (Nova mod).

The TB-303 was designed by Tadao Kikumoto who also designed the TR-909 drum machine. It has a single oscillator which produces a sawtooth wave or a squarewave. This goes into a 24dB/Oct lowpass ladderfilter which is manipulated by an envelope generator. 

I have read that it's actually an 18dB/Oct lowpass filter instead of 24dB but I don't know if that's true.

SCHEMATIC:

Here is the schematic. It's a bit low resolution because this was originally a file with a black background and bright green lines. I took it into Photoshop and inverted the image and brightened it up and made it more legible. I also included the transistor pinouts. All transistors on the schematic are NPN 2SC945's except for the two at the bottom marked 733. Those are two 2SA733 PNP transistors.

The capacitors in the schematic are not marked as polarized but the 10µF electrolytic caps are obviously polarized and for the 1µF you can use either type. Polarized or non-polarized. I used polarized caps in the layouts below so that you can see where the minus pole goes if you choose to use polarized caps.

Here's the filter part of the service manual schematic for reference. It has two 2K2 resistors from +12V to T1 and T2 but I think that's a misprint. It needs to be 22K:

The filter does not use any negative voltage. It is powered by +12V and it also needs a +5V powerrails which is provided by the onboard voltage regulator. The +12V goes through a 100 Ohm resistor. I wondered whether or not to include that but I wanted to see how much voltage that resistor takes off from the original 12V and it's only 0.2V so I left it in.

Staying true to the original includes using 2SC945 transistors for the NPN trannies and 2SA733 for the PNP transistors. You can however use other transistors like the BC547 and BC557 but beware when you do because you'll have to redo the layouts. The 2SC945 and 2SA733 have an unusual pinout. It's emitter to the left, collector in the middle and base to the right. I had to constantly keep this in mind when designing the layouts and it wasn't easy but I managed it in a day.

The transistor pairs at the top and bottom of the ladder and the transistors next to it with the common emitter connection need to be matched pairs!! Very important with this filter.

I came to the conclusion that my usual method of matching on Hfe didn't meet the case here so I did it with setting up a differential amplifier on a small breadboard. The method is shown below.

I ordered a hundred of the 2SC945's and made 10 matched pairs and I used those transistors in this project even with the middle trannies in the ladder. I thought I might aswell use all matched transistors but you don't have to do that. You can use other transistor types like the BC547 and BC557 which are used in the Doepfer A-103 VCF6 filter but you'll have to redesign the layout because their pinout is different from the 2SC and 2SA transistors I used.

Two resistors in the circuit have been replaced by trimmer potmeters so we can tune them in to our liking. These are in the Cutoff and Resonance control so they are important to the sound and they do make quite a difference. The way I set them was almost fully open for both (max. resistance).

MATCHING TRANSISTORS.

For this filter I didn't want to rely on just measuring Hfe and matching the transistors on that value. I used the Ian Fritz methode. I took a small piece of stripboard and set up a simple differential amplifier with two transistors. If the transistors are matched then the voltage measured between the two emitters should be zero. Make sure you let the transistors cool down after handling them with your fingers.

For D1 any silicon diode will do. The voltage drop over this diode ensures both transistors get exactly the same Collector Base voltage. Beware this setup requires a dual voltage source of +/-12V. You also need to make sure the two 100K resistors have exactly the same value.

This worked very well. I used matched pairs throughout the ladder filter and also for the differential amplifier made up of T1 and T2.

Below is a picture of my transistor matching stripboard. I can get them matched to within 1/10,000th of a Volt or 0.1 milliVolt. I cut a DIP8 IC socket in half and connected the top and bottom pin together. I use that as socket for the transistors under test and with this setup I can measure NPN transistors with different pinouts because I have an emitter contact at the top and the bottom. I placed the sockets away from eachother to make it easier to change transistors without influencing the other transistor. I usually accept transistors that measure a difference within 0.3 milliVolt or lower. If you go to extremes with accuracy you'll be measuring until doomsday before you find a match.

LAYOUTS:

Below are the layouts for this project which are verified as ever. I used them to build my filter.

Wiring:

I numbered the transistors that are not part of the ladder, using the same order as in the schematic so you can easily understand which transistor is which when you compare it with the schematic. The light grey transistors are the 2SA733's. I included an extra CV input with the same level control as the Envelope input. 

The transistors in the ladder have the base and collector connected together so they actually function as diodes.

As you can see the envelope and CV input level potmeters have pin 3 connected to a 10K resistor and not straight to ground as is usual with input level potmeters. This is done so that the Envelope input is never fully closed. This is also the case in the original Roland TB-303 because the envelope input is very important for the characteristic sound of this filter. In my own build I did connect pin 3 of the CV potmeter straight to ground instead of the 10K resistor because I wanted to be able to fully close that input. So I leave it up to you how you want to wire that up.

If you look closely at the audio input you can see a 220K resistor on the stripboard that isn't used. I have the audio going straight into the filter through the 1µF cap. Originally that 220K should be in series with that cap but I think the value is too high. I later experimented with a lower value but you can also leave the resistor out.

Stripboard only view:

Cuts and wirebridges seen from the component side. As always, mark the cuts on the component side with a Sharpie or Edding marker and then stick a pin through the marked holes and mark them again on the copper side. Then cut the strips at the marked positions with a sharp hand held 6- or 7mm drill bit.

Bill of materials:

PICTURES:

Here are some pictures of the build proces:

Cuts and wirebridges done:

Everything is soldered in.

Here's the design I made for the panel. Feel free to us it if you want.

And here's how the panel came out:

You can see the colours don't come out as strong with clear waterslide paper as opposed to using white waterslide paper. But I like this effect. The design shouldn't be too overpowering I think.

Here's a look at the finished module:

Side/rear view. I had built a version before this one but it didn't work but I re-used the panel I made so the mounting holes are not positioned where they need to be so that's why the M3 bolt is bent sideways.

VIDEO DEMO:

I couldn't get it to produce that typical 303 squelching sound but that's not the filter's fault. It's more because I didn't feed it the right signals. I'm still experimenting with that. Any tips on this will be very much appreciated. Just write them in the comments below. This filter has that typical ladder filter quirck where if you turn the resonance up the volume goes down and you get less bass. Most ladder filters have this characteristic. The Moog ladderfilter does it and even the Doepfer A-103 VCF-6 does it. 

Documentation:

Here's the webpage of Tim Stinchcombe about the TB303 ladder filter.

Here's Ian Fritz's original article on transistor matching in PDF form

That's all for this one.

If you have any questions or remarks about this project then please put them in the comments below or post them in the special facebook group for this website.

If you enjoy this content and would like to support the projects on this website, you can buy me a coffee. There's a button for that underneath the main menu if you're on a PC or Mac. You can also use this PAYPAL.ME link and cut out the middle man. All donations go straight back into new projects and the upkeep of the website. Thank you!

Synthesizer Build part-65: YAMAHA CS FILTER w IG00156

 A LP, BP and HP filter in one chip. Not a filter you can just decide to build on a whim though. It uses Yamaha's own IG00156 VCF chip which is very rare and very expensive if you can find one. Like three figures expensive. This projects deals with a Eurorack version of this filter but of course it will work equally well for Kosmo sized synths.

A good friend of this website, a fellow Dutchman who happens to be an amazing psy-trance producer by the name of Jake Jakaan, signed to a top record label, who uses modules from this website gave me one of these chips. He managed to get hold of a few of them. He states this filter is great for filtering FM sounds from the TH VCO555. It's very low-mid heavy.

It was not easy to find a good schematic for this filter. In fact, all I had was the service manual for the CS-5 and a stripboard layout that someone put together which looked very dodgy and had some mistakes in it (although it did seem to work for my friend but I didn't use it).

I made a completely new schematic for this filter using the original circuit from the service manual and from that I made a new layout, small enough to fit a Eurorack system. The layout turned out to work faultlessly straightaway for which I was very grateful because the IG00156 is not a chip I'd like to blow up. The chip is actually quite robust, I found.

There are two things that are unique to this filter; it has a frequency dependent Q (resonance peak) and a gentle single pole lowpass effect. Resonance (Q) is achieved by damping rather than using a positive feedback loop and because damping will not go to zero the filter can not self oscillate.

This filter is used in all of the Yamaha CS range of synthesizers. Even in their flagship synthesizer, the CS-80. It's a two pole 12dB/Oct. state variable filter. In the CS-80 one chip is used for a lowpass filter and a second one for a highpass filter and in other CS synths like the CS-5, one chip is used for lowpass, bandpass and highpass. The filter I present here has all three functions under a switch although you could have each output go to its own socket but then you have to redesign the output stage or simply bypass the output opamp which I wouldn't advise. You should have opamps with a little bit of gain on the outputs.

Here is the schematic I made and on which I based the layouts below:

Here's a block diagram of the inside of the IG00156 chip:

Source: Yamaha IC Guidebook.

There's an in depth analysis of this filter on the Modwiggler forum: CLICK HERE to read that.

I added an audio level control on the input because this filter is rather sensitive to high volume levels. I also added a gain potmeter on the output that gives you the option to set the gain from 2 to 4 times with a 100K potmeter. That is more than enough, but if you want more gain, put in a 500K potmeter which will give you 12 times gain, or 1M which will provide 23 times gain. It will just clip. There's no use in doing that. I really wouldn't advise it.

The schematic says to use +/-15V but I tested it on a dual 12V powersupply and it works fine. The chip inputs for the cutoff and resonance functions are very sensitive and the complete cutoff range is controlled by a voltage that goes from 0 to 0,25V. Only 250 milliVolt for the full range. This is achieved by the voltage divider consisting of the 22K resistor in the cutoff line and the 470 Ω resistor between pins 7 and 8 (or pin 7 and ground really). The potmeters for Cut-off and Resonance need to be fed with +10 volts so I added 1K8 resistors to the pins where the power comes in to cut off roughly 2 volts. You can actually use other values for these potmeters because they're only used as voltage dividers but then you will have to re-calculate the values of those two resistors to make sure the pots receive +10 volts. For instance, if you use 100K potmeters you're need to use two 18K resistors.

I used this schematic to make my stripboard layout which wasn't that difficult because it's quite a simple filter. There aren't many components in it. It worked straight away although at first I could get it working because I had not wired everything up yet. I thought I had connected all the knobs I needed for testing but I forgot the V/Oct input. That needs to be connected to ground if it is not in use and once I had done that the filter sprang to life. 

VOLT per OCTAVE INPUT:

At first I had the V/Oct socket grounded through the socket switch but then I realized that isn't needed because the V/Oct input is always connected to ground via the 470Ω resistor. 

I applied a voltage divider to the V/Oct input consisting of an 18K and a 470Ω resistor, I went with an octave range of 8 octaves, meaning that the input would get 8 Volts at maximum which would need to be reduced to the same range as the Cutoff input because they all enter the same summer inside the chip (see diagram above). 18K with a 470Ω would give 0 to 203milliVolt which works out perfectly.

Because the filter can not self-oscillate anyway, the filter can not be used as a sinewave oscillator with the resonance fully open. So accurate volt per octave tracking is not an issue and therefore none of these calculations need to be super accurate, it just needs to work so that it sounds good and the filter now tracks nicely up with the octaves.

LAYOUTS:

Here are the layouts I made for this filter. As always they are verified, I used them for my build. As you can see it's a really simple project. There's only 25 resistors, a few capacitors and wirebridges and the chip sockets to put in. The biggest job will be the wiring up of the potmeters and sockets and the making of the panel.

Wiring diagram. Note that the Resonance potmeter is connected the other way around from all the other potmeters, with ground at the clockwise lug. This is usually the case in VCF's.  

Stripboard only:

It's best to use bi-polar or none polarized capacitors for the 1µF caps in the filter outputs and on the audio input. This is because we're dealing with bi-polar signals that go through the zero Volt line. The caps don't need to be this specific value. You can use anything between 1 and 10µF without problems.

As you can see all three filter outputs have a 100K resistor to ground. Together with the 1µF capacitor this forms a highpass filter with a cutoff frequency of 1.6Hz so in effect it keeps DC voltage from passing and all the other frequencies get through. Make sure you use high quality capacitors for the two 1,5nF filter caps. I used Polystyrene ones which always sound the best.

Cuts and wirebridges. As always, mark the cuts with a Sharpie or Edding pen on the component side and then stick a pin through the marked holes and mark them again on the copper side. Then cut the strips at the marked positions with a sharp hand held 6- or 7mm dril bit. Make sure you work accurately!!

And here is the bill of materials. It won't be easy to find an IG00156 chip. They are long out of production so your best bet is websites that sell rare synthesizer components. They go on Reverb for $189,- but that is top dollar. They should go for between $70,- a $100,- 

I did not include any bypass caps or extra electrolytic caps for the voltage rails. If you want to include those you need to add them to the list (2 x 100nF and 2 x 10µF/25V). They're not on the layout or schematic either but there's room enough on the stripboard to put them in over the voltage rails.

The two trimpotmeters should really be the normal kind and not multiturn trimmer. There's really no use in having multiturn trimmers because there's no need for that kind of accuracy.

NOTE: There is a Hongkong based listing of the IG00156 chip floating around on the internet selling them for €10,- Don't fall for that, it's a scam!!

PICTURES:

Here are some pictures from the build proces:

All components soldered on:

Testing:

Drilling the panel using a copy of the panel design I made in Photoshop as a dril guide:

Waterslide design applied to the faceplate and now drying on the central heating. All the creases you see will be gone by the time this is dry.

Finished panel ready to receive the pots and sockets etc. After the waterslide design has dried we cut out the holes with a very sharp hobby knife and then apply two more layers of clear acryllic lacquer and let it dry overnight.

Finished module. The module is 14hp wide (7 CM) and 3.7 CM deep.

I only had a 4 way rotary switch, that's why the HP mode on the panel has 2 settings. Lugs 3 and 4 of the switch were connected together.

Side view:

Side and back view:

Here's an oscilloscope screenshot of a squarewave wave in LP mode with full resonance applied:

CALIBRATING THE FILTER:

There are two trimpots on this filter that need to be set.

The first one is the 100K trimpot. You use this to set the throw of the Cut-Off potmeter. Set it in such a way that you get the most resolution of the Cut-Off potmeter.

The other one, the 200K, is used to set the Resonance to maximum. Turn up resonance and turn the trimmer until you're at max resonance. This will probably be around the middle of the trimmer at about a 100K.

It's best to have normal trimpots not multiturn ones. There's no need for those and the normal trimpots are easier to use.

VIDEO DEMO:

Here's the first test I did after finishing the project. This filter literally makes the room shake. If you turn up the volume (with good speakers or headphones) you will hear stuff starting to rattle in the background. It's a very bass heavy filter which really sounds great!

Here's a short demo I made with the X4046 VCO hard synced by the 555 VCO going through the filter.

Here's an other video I found on YouTube dealing with the CS-5 Lowpass filter:

https://www.youtube.com/watch?v=5F8_RfVzO2A

Here's a Facebook video of my friend Jake Jakaan using 3 of these filters in bandpass mode to create a formant filter that makes sounds akin to human speech.

https://www.facebook.com/share/v/1A2Q6Ws1AE/

Okay that's it for this article. Not a filter anyone can build alas but this website is an archive of all the modules I built myself so it certainly belongs here. I also noticed that Yamaha filter schematics that specifically deal with the CS filter are almost non existent on the internet except for the service manuals. So I hope this article will provide at least one good schematic for those looking for it.

If you have any questions or remarks about this project then please put them in the comments below or post them on the special Facebook group for this website.

If you like this content and would like to support the projects and upkeep of the website you can buy me a coffee. There's a button for that underneath the menu if you're on a PC or Mac. Otherwise you can use this PayPall Me link and cut out the middle man. All donations go straight back into new projects.

Thank you!