Here's a little item I found on eBay and thought it would work great in the synthesizer; and luckily I was right. It is a fantastic asset and makes the synth sound really professional and full.
A word of warning though, this is not a beginners project. You need to know your electronics to follow my plans. This unit also needs two voltages to run on. The effects unit runs on +5V and the stripboard runs on +/-15V or +/-12V. So you must make sure you have those voltages available in your modular set-up or add a +5V regulator to the print. I recently added a Dry/Wet control so you can dial in as much of the effect as you want in your sound. This makes this unit really useable and perfect for modular synths. (see further down the article)
The unit goes under different names but mostly as the Cara OK ("Karaoke" get it?) or DSP 5V Red Digital Stereo Mixer Reverberation Karaoke Reverberation Board Module (if you copy and paste that into the search bar on eBay, you'll find it). The prices vary from $15 to about $30 us. (DSP stands for Digital Sound Processor)
This is the cheapest listing I could find on eBay: click here.
It offers 100 presets with reverb, echo and even chorus, phaser, flanger, phase shift and reversal effects and combinations of them together. There's a rotary encoder with which you choose the preset of your choise and then you just press to confirm and engage the effect. It's a favourite with many synth builders I noticed.
I made a special panel for it and combined a 'Line-Out' control and bypass switch option with the module. Here is the schematic or wiring diagram to make this unit part of the synthesizer. This was one of my early projects and at first I didn't have dry/wet control in there so this is the version just with a switch between normal line out or line out with effects:
I had to put extra attenuation on the bypassed (normal) signal because it was much louder than the output from the Echo Module, but that was easily fixed as you can see in the diagram above. The panel that I built into my synthesizer also includes a headphones out stereo jack which is not included in this article but it's just an output jack soldered straight to the negative poles of the Left and Right output Electrolytic Capacitors. Weirdly enough, if you listen through the headphones, the echo module is much louder than the normal line out. This is probably some impedance matching issue but it doesn't bother me. It's easy enough to turn a volume knob so I'm not bothered.
The unit goes under different names but mostly as the Cara OK ("Karaoke" get it?) or DSP 5V Red Digital Stereo Mixer Reverberation Karaoke Reverberation Board Module (if you copy and paste that into the search bar on eBay, you'll find it). The prices vary from $15 to about $30 us. (DSP stands for Digital Sound Processor)
This is the cheapest listing I could find on eBay: click here.
It offers 100 presets with reverb, echo and even chorus, phaser, flanger, phase shift and reversal effects and combinations of them together. There's a rotary encoder with which you choose the preset of your choise and then you just press to confirm and engage the effect. It's a favourite with many synth builders I noticed.
I made a special panel for it and combined a 'Line-Out' control and bypass switch option with the module. Here is the schematic or wiring diagram to make this unit part of the synthesizer. This was one of my early projects and at first I didn't have dry/wet control in there so this is the version just with a switch between normal line out or line out with effects:
The Stripboard can work on +/-12V also. It doesn't matter if you use 15 or 12V. The CaraOK effects unit must have it's own +5V powersupply! You can use a 7805 voltage regulator and connect it to the 15 or 12V of the stripboard to get 5V for the effects unit. This is not further described in this article. I'm assuming you have the knowledge to make powersupplies. If not, check out my article on this subject here or see the datasheet for the 7805 voltage regulator.
Here's the stripboard layout (older version). This one has a 3 pole switch but that's not necessary. Just connect the wires on the left hand side of the switch together; the red line coming from the 'normal level pot', the blue line from pin 1 of the chip and the effects unit input. They can all be connected together and then you just need a 2 pole dual throw switch (DPDT).
(All potmeters viewed from the front)
I used a 3 pole double throw toggle switch (ON-ON type) to be able to switch the synthesizer between normal output and output through the effects unit. This is a bit of over-kill because you can just as well connect the inputs together (part S1-A of the switch) and then use a 2 pole switch to switch between the outputs. Better still. I describe down below how you can put in a dual gang potmeter instead of a switch and so have a DRY / WET control.
Here's the stripboard layout (older version). This one has a 3 pole switch but that's not necessary. Just connect the wires on the left hand side of the switch together; the red line coming from the 'normal level pot', the blue line from pin 1 of the chip and the effects unit input. They can all be connected together and then you just need a 2 pole dual throw switch (DPDT).
(All potmeters viewed from the front)
Please note: The GROUND connection of the Effects Unit must be connected to the GND of the stripboard. Everything must share the same ground. I myself made a central grounding point with a solder eye connected to one of the M-3 bolts holding the Effects Unit to the panel. To put it in a simple way: the ground of the 5V powersupply for the Effects Unit must be connected to the ground of the +/-15 or 12V powersupply of the stripboard. The Grounds of the Line Out cables are also connected to this common ground. You can tap that off from the 4th strip above the Left Line Out connection. (2nd strip below the chip).
Print only:
(Last revised: 14-Aug-2020: Corrected mistake with negative voltage supply to the TL074.)
I'm going to adapt this article soon and make a new layout to put in this Dry/Wet control permanently.
[EDIT] March 2021 DRY/WET CONTROL:
I wanted a Dry/Wet control on this effects unit for a while now and I wanted to install it without having to rebuild the whole module.
I changed the 3 pole toggle switch for a dual gang potmeter and I connected the inputs, normally connected to part S1A of the switch, all together. If you do this make sure you keep to the right order with the wires. Best to make a few pictures of the switch connections first before you solder in the dual potmeter, that is, if you built this module already.
Below here is a schematic. You can see the switch has been replaced by a stereo potmeter. This MUST be a linear type potmeter!!
There is a half drop in volume at the half way stage of the potmeter because we have 50K of resistance in our signal path there but other than that it functions fine! It's just a matter of turning up the input or output levels to get it where you want it. You must make sure the output audio goes into a very high impedance input, like a HiFi amplifier because if you pull even a tiny bit of current from this circuit it won't behave normally anymore. But it works fine on audio amplifiers, I guarantee it.
The Dry/Wet control really makes a world of difference! Now you can set it to reverb and then precisely dial in the effect to where you like it. It's fantastic sounding!
Here is a picture of the panel with the Dry/Wet control where the switch used to be:
I made a little demo video. You can hear the drop in volume at the midway point of the Dry/Wet control. (I know it's wired backwards LOL :) But being able to dial in the effect makes a world of difference and the volume can easily be crancked up by the level controls.
Continuing the original text:
I've put in 4 buffer stages, using the TL074, for the input, normal output and FX Unit outputs Left and Right channels and I gave the latter two adjustable gain by means of two 50K potmeters in the feedback loops of the opamps; one for each channel. The gain is adjustable from 2 to 5.3 times. You can increase that by using 100K potmeters instead of 50K ones. That would give a maximum gain of 8.6 times.
When I first tested this unit I noticed I was receiving an FM broadcasting signal through the effects unit. (There's an FM Broadcast transmitter and antenna on a flat 100 meters from my location). So I took a ferrite ring and wound the audio input wire around the ferrite ring about ten times. I also put ferrite beads in the 5V power-supply line to the effects unit and to the print with the opamps on it. This solved the problem. One more little thing: beware of the little crystal X1 near one of the screw holes on the circuit board. It is rather flimsy and fragile. Take care not to damage it.
The Cara OK is a really versatile unit with lots of really cool sounding effects. Here's an overview of the possibilities it offers. I myself printed a small version of this list out, laminated it and stuck it at the bottom of the panel I made for it. Handy to have around I thought :) :
This picture shows all the connections to the circuitboard:
It's small so it won't take up too much space. Beware that it needs just +5V for power supply. Luckily in my synth build I made a power-supply that delivers dual 5, 12 and 15 Volts so I can feed it right from there. I can really recommend you picking this up and trying it in your build project. It will add a lot of options and is a very useful addition to the filters and its output is in stereo! The sound quality is just great so no problems there. The only thing is the difference in volume I mentioned earlier but that is easily fixed. You can use opamps buffers with it, like I did, but it's not absolutely necessary. I did without them at first but then installed output buffers with variable gain as I mentioned before.
The audio response of this module is so good that it even lets through the ultra low frequencies the Korg MS20 filter produces (see next article) and that can go as low as 10Hz. You can really see the speaker cones move bigtime!
Before I installed the 3-pole toggle switch I had a single pole and a double pole switch side by side to switch between FX-unit and normal line out. So after installing that 3-pole switch I had a hole in the panel left over. I mounted a 3,5mm stereo output jack in that hole as a connection for head-phones. The output jack is connected straight to the audio output on the stripboard. One thing I noticed with this arragement is that the normal line-out through the head-phones, sounds a lot quieter than when the effects unit is switched on. That's probably due to a difference in output impedance because we're effectively putting an 8 Ohm resistance between Line-Out and Ground in the form of the head-phone speakers. This doesn't occur when I listen to it on the normal audio amplifier, at least not if the head-phones are not plugged in. It would be a good idea to build a little head-phone amplifier for this purpose.
Here is a picture of the finished module in my synthesizer:
Here's a picture of what's behind the panel. Now you understand why this is not a beginners project ^_____^ You can see the yellow Ferrite ring with the black 'audio in' wire wound around it above the blue circuitboard and there's also one on the stripboard. I advise you to include these in the power supply line and audio in line. In red you can see the 3 pole toggle switch. This panel works really well like this.
Here's the Line Out Panel I made on the back of my synth, with two gold plated RCA outputs and a 6,3mm (1/4") Stereo Output Jack, which is connected straight to the RCA left and right outputs.
ONE LAST REMARK:
When I first tested this unit I noticed I was receiving an FM broadcasting signal through the effects unit. (There's an FM Broadcast transmitter and antenna on a flat 100 meters from my location). So I took a ferrite ring and wound the audio input wire around the ferrite ring about ten times. I also put ferrite beads in the 5V power-supply line to the effects unit and to the print with the opamps on it. This solved the problem. One more little thing: beware of the little crystal X1 near one of the screw holes on the circuit board. It is rather flimsy and fragile. Take care not to damage it.
The Cara OK is a really versatile unit with lots of really cool sounding effects. Here's an overview of the possibilities it offers. I myself printed a small version of this list out, laminated it and stuck it at the bottom of the panel I made for it. Handy to have around I thought :) :
This picture shows all the connections to the circuitboard:
It's small so it won't take up too much space. Beware that it needs just +5V for power supply. Luckily in my synth build I made a power-supply that delivers dual 5, 12 and 15 Volts so I can feed it right from there. I can really recommend you picking this up and trying it in your build project. It will add a lot of options and is a very useful addition to the filters and its output is in stereo! The sound quality is just great so no problems there. The only thing is the difference in volume I mentioned earlier but that is easily fixed. You can use opamps buffers with it, like I did, but it's not absolutely necessary. I did without them at first but then installed output buffers with variable gain as I mentioned before.
The audio response of this module is so good that it even lets through the ultra low frequencies the Korg MS20 filter produces (see next article) and that can go as low as 10Hz. You can really see the speaker cones move bigtime!
Before I installed the 3-pole toggle switch I had a single pole and a double pole switch side by side to switch between FX-unit and normal line out. So after installing that 3-pole switch I had a hole in the panel left over. I mounted a 3,5mm stereo output jack in that hole as a connection for head-phones. The output jack is connected straight to the audio output on the stripboard. One thing I noticed with this arragement is that the normal line-out through the head-phones, sounds a lot quieter than when the effects unit is switched on. That's probably due to a difference in output impedance because we're effectively putting an 8 Ohm resistance between Line-Out and Ground in the form of the head-phone speakers. This doesn't occur when I listen to it on the normal audio amplifier, at least not if the head-phones are not plugged in. It would be a good idea to build a little head-phone amplifier for this purpose.
Here is a picture of the finished module in my synthesizer:
Here's a picture of what's behind the panel. Now you understand why this is not a beginners project ^_____^ You can see the yellow Ferrite ring with the black 'audio in' wire wound around it above the blue circuitboard and there's also one on the stripboard. I advise you to include these in the power supply line and audio in line. In red you can see the 3 pole toggle switch. This panel works really well like this.
Here's the Line Out Panel I made on the back of my synth, with two gold plated RCA outputs and a 6,3mm (1/4") Stereo Output Jack, which is connected straight to the RCA left and right outputs.
ONE LAST REMARK:
I have had feedback that some chips on the CaraOK board can run hot when run for a long time and even fail after a few years so it is advisable to add an ON/OFF switch to the module so you can turn it off when it is not needed thereby preventing the chips from being on needlessly for a long time.
(see comments below)
Okay, that's the 11th module I put in the synthesizer. We're nearly there. I have just room enough left for one more module and that has got to be the Korg MS20 filter. But I'm waiting for some supplies from China before I can build it. (Circuit boards for one, coz I'm fresh out at the mo.)
Okay here's an excellent video by Juanito Moore that shows you how you can circuit-bend this device and make it voltage controllable. Click here
Right, that concludes this article. Thanks for stopping by and while you're here, why not leave me a comment or if you have any questions put those in the comments too and I'll get back to you asap.
If you find these projects helpful and would like to support the website and its upkeep then you can buy me a Coffee. There's a button for that underneath the menu if you're on a PC or Mac. Or you can use this PayPal.Me link to donate directly. All donations go towards the website and projects. Thank you!
Okay here's an excellent video by Juanito Moore that shows you how you can circuit-bend this device and make it voltage controllable. Click here
Right, that concludes this article. Thanks for stopping by and while you're here, why not leave me a comment or if you have any questions put those in the comments too and I'll get back to you asap.
If you find these projects helpful and would like to support the website and its upkeep then you can buy me a Coffee. There's a button for that underneath the menu if you're on a PC or Mac. Or you can use this PayPal.Me link to donate directly. All donations go towards the website and projects. Thank you!
Hey Eddy! By chance do you have a picture that you can show of how the boards are connected. I'm assuming Lout and Rout are Line outs that are connected on row 22, from the main board. Where do the Fx outputs go or connect too? Thank You.
ReplyDeleteI'm sorry I don't have a picture. A picture of my board wouldn't help you because it's a mess of wires. The FX outputs go into the main board at the left side. There they are buffered by the main board TL074 and then the line outs so into an audio amplifier and so out the speakers.
DeleteHallo Eddy,
ReplyDeletesoll der 9 Pin Schalter für den Ausgang ein On/On oder On/Off/On Schalter sein ?
Vilen Dank im voraus
Grüße
Ein ON-ON Maik!
DeleteHallo Eddy meine Teile/Schalter sind aus China eingetroffen,wollte nochmal fragen,wenn ich auf die Stripboard Zeichnung schaue,genau gesagt auf den 9 Pin Schalter,schaltet dieser von links nach rechts oder von oben nach unten,habe angst verkehrt zu verkabeln.
ReplyDeleteHallo Maik! The switch goes up and down. The middle pins connect to the upper pins if you turn the switch up and to the lower pins when you push the switch down. It will make sense if you just follow the patch that the electrons take on the circuit schematic. I hope this makes it clear for you.
Delete* Path not patch. My mistake :)
DeleteIch denke von oben nach unten,richtig?
ReplyDeleteGenau richtig Maik!!
Delete...danke,hatte auch unüberlegt gefragt,habe den Pfad verfolgt,scheint alles richtig verkabelt zu sein von mir.Leider stimmt irgentwas nicht,ist das Stripboard Layout korrekt ?
ReplyDeleteWenn ich das FX nur mit 5 Volt betreibe ist das Display unauffällig,sobald ich aber die 12v +/- anschließe blickt es nach 20 Sekunden und es lässt sich nichts einstellen,ich werde wohl was verkehrt verbunden haben,konnte aber noch nichts finden,werde mal weiter nach dem Fehler suchen.
That is strange Maik. You know that the stripboard needs +/-15V or +/-12V and only the effects unit needs +5V right? Do not connect the CaraOK effects unit to 12V. You might damage it.
DeleteI noticed that the stripboard 'print only' image was a but unclear because the '1' of the '15V' was cut off so it looks like 5V instead of 15V. I have corrected that and made a new cut-out of the 'Print Only' image. I do hope that didn't confuse you. The wiring of this module is a bit complicated and certainly not easy for beginners. That's why I wrote the warning right at the beginning of the article.
DeleteThe stripboard layout has been used by many people successfully, and I used it of course for my own build, so I know that it's okay.
DeleteHallo Eddy,
ReplyDeletenein 5v Und 12V bringe ich nicht durcheinander,alles gut! Bei mir hatte das Display wild geflackert,weil ich dem Karaoke Modul 5,17 Volt gegegeben hatte statt 5 Volt das war wohl zuviel,jetzt versorge ich das Modul mit stabilen 5V und es ist alles ok!
Ich habe auf Deinen Stripboard was Du gelötet hast (Foto) 6 Widerstände gesehen,kann das sein ? Auf der Zeichnung sind aber nur 5 Widerstände abgebildet !
Felht bei mir ein Widerstand ?
ReplyDeleteGrüße
Maik you have great eyesight!! I don't know why the extra resistor is there, probably for the headphones output that I put in later and which is not on the drawing, but I'm not sure. Anyway, don't worry about that one.
DeleteFunktioniert jetzt alles gut oder gibt es noch probleme irgendwo?
ReplyDeleteHallo Eddy,
leider höre ich nur das normale Audio Signal ohne FX egal wie der Schalter
geschaltet ist,ich habe alles mehrfach kontrolliert nach Kurzschlüssen,alle Verbindungen
sind richtig,alle Widerstände und Kondensatoren auch voll ok,habe alles mit der schematc
abgeglichen,alles ok ! Es ist wie verhext,bin ratlos,ich werde das FX Modul erstmal auf Eis legen,vielleicht
werde ich es später einmal ganz neu löten
Oh damn, I'm so sorry to hear that. I think you're right. Come back to it later with a fresh mind and re-wire the whole thing. (You tried the diferent preset numbers right? Because I believe setting 0 is a clean setting without effects.)
Delete...ja habe verschiedene Effekte probiert,leider nichts! Werde wie Du es sagst später mit neuer Motivation und frischen Geist neu beginnen.
ReplyDeletehello, thank you for this project! I didn't make the same one, but it really inspired me.
ReplyDeleteI noticed a problem however when building mine (the output sound gradually disappeared until nothing at all) but I found a solution, to remedy it you have to connect the L and R outputs (of the fx unit) to ground with a 1M resistor Maybe you have the same problem?
thanks again
http://pjmnc.free.fr/files/fx_unit_schema.bmp
PCB here http://pjmnc.free.fr/archives/fx_unit.zip
Thank you for all the information! I don't have the same problem with output disappearing but it's good to have a solution presented here if people have that problem. The Dry/Wet control is something I want to add to my project too in the future. Thanks again!
Deleteooops, I forgot to say that my version and for a modular system, the output signal is very strong.
ReplyDeletehi, I love your page as inspiration. I wanted to ask if you could help me convert this module into a simpler "just"-line out module. what parts could be skipped for that and is a tl074 needed?
ReplyDeleteHi, if you want to make a simple Line Out without the effects you can just take the upper part of the schematic and ignore all the connections to the Effects Unit. In fact, it might be enough to just have the input potmeter and the buffer opamp and use the connection that now goes to the middle of switch S1-A as the output. But I think it would be better if you also include the output opamp because we need to step down the voltage quite a bit. A TL072 would be enough in any case.
Deletethanks a lot I did the whole upper section and it worked like a charm.
ReplyDeleteExcellent! I'm glad it worked so well!
DeleteHey Eddy,
ReplyDeleteThis is a very cool project!
I'm starting in synth diy and I'm from the Netherlands too. Groningen to be exact.
Currently I'm working on an output mixer and would like to use this circuit for send/return fx. In the article you mention the following: You must make sure the output audio goes into a very high impedance input, like a HiFi amplifier because if you pull even a tiny bit of current from this circuit it won't behave normally anymore. But it works fine on audio amplifiers, I guarantee it.
Obviously the return on the mixer will not be a HiFi input. Is solving this impedance issue as simple as to put a unity buffer on the outputs? If not, can you think on another approach to fix this?
Hartelijke groet ;)
Thomas
Hey ik zit in Delfzijl. We zitten vlak bij elkaar hahaha!. Ja een buffer is prima. Als het signaal in een opamp gaat gaat alles goed. Het is alleen niet mogelijk stroom uit dit circuit te trekken want dan gaan de volumes behoorlijk omlaag. Gewoon met opamps werken en alles gaat goed.
DeleteThanks for the inspiration I've had from your pages! I built a module based on this design and it works very well. However, there's a potential problem with the commercial boards. At least one of the chips on the Cara-OK board can run hot, and mine failed after a couple of years. I replaced the board and also added a power switch to the module. I'd strongly suggest anyone building one of these also add a power switch so the Cara-OK is powered only when needed, rather than being on all the time.
ReplyDeleteThank you very much for that info. I hadn't noticed it running hot but then I don't normally use it for long periodes of time plus it's built in so I can't get to the chips. It's good to know that this can be a problem and I shall add it to the text of the article. Thanks for commenting about this issue!!
Delete