Sunday, 12 April 2020

Synthesizer Build part-27: QUADRATURE LFO Bergman edition.

A very quirky sinewave LFO with 4 outputs with a 90° phase shift to eachother. With extra waveform and an input for Frequency Modulation.

The quadrature LFO is something you won't find in many modular set-ups from the early days but it's a real little gem of a module to have in your set-up. It produces 4 sinewaves that are shifted in phase by 90° each. This can be used to create the 'Barber Pole' or 'Shepard Tone.' effect. "What's that?" I hear you ask. In short, it's an effect whereby it seems a tone is continously rising (or falling) without actually seeming to get any higher (or lower). See this Wikipedia Article for more on this effect. So that's one use. You could also feed four Voltage Controlled Panners with this LFO and have the sound go three-dimensionally around the room. Your imagination is the limit with this module which is why I was keen to experiment with this.

Eurorack 12V vs 15V.
I tested this circuit on a dual 12V powersupply and it works the same as on 15V. The maximum amplitude of the sinewaves stays the same too (+/- 7,5 Vpp). I think this is due to the zener diodes. They keep the amplitude constant. The maximum amplitude of the Trapezoïdal wave however will be lower at +/-10Vpp maximum. You can of course turn the amplitude of the waves down with the Output Level knob to, for instance, the Eurorack standard of +/- 5Vpp. No problem. So this is, in the way it works, a very Eurorack friendly module. For Eurorack you can cut the stripboard in half along the cuts in the copper strips, in the middle and fold it over. Then connect the top 3 and bottom copper strips together again with wire and you have a print small enough to fit behind a Eurorack panel.

I found this module with the schematic on the Yusynth website and set out to make a layout. Once again it turned out I made a faultless layout but it was with building it up that I made a mistake that turned out be an asset later on. This design uses two 5V Zener Diodes and somehow I had managed to stick one of them in the wrong hole on the stripboard so it was not connected correctly. This resulted in the output being Trapezoïdal instead of Sinusoïdal. Not knowing I had made this mistake, I posted about this on the Synth DIY Facebook page and people allerted me that it had to be the Zener Diodes that were at fault and they were right. After correcting the mistake everything worked fine but I then got remarks that I should include this waveform option in the final design of the module. So I did. I adapted the stripboard layout and added a switch to go between the two waveforms. If you want to build it as originally intended, without the switch, then just don't cut the copper between the two connection points for the switch on the print, so the zener diode is connected again.
One more very important thing to note: YOU MUST USE POLYSTYRENE OR POLYESTER CAPS FOR THE TWO 10nF CAPACITORS!!  I've had several people build this module and then it didn't work because ceramic caps were used. They need to be high quality non-ceramic ones or it simply won't work.

Here's the layout. It's verified. I used it for my build. This is the wiring diagram. Beware the outputs are not in the right order. I added the correct order by numbering the jacks. All potmeters are viewed from the front.:



(Last revised: 12-April-2020. Corrected wiring orientation of dual gang potmeter and numbering of LEDs. 15-April-2020: Added mounting bolt and pin 5 and 10 warning text. 14-Nov.-2020 Added remark about capacitors to use.)

Print only. The four resistors to the top left and right of the LM13700 are 820 Ohms. It's a bit difficult to see on the layout. 
Beware that some stripboards are sold with 56 instead of 55 holes horizontally. The layout is 55 holes wide:


Bill of Materials:



The LFO needs a few seconds to start up, when you first switch it on. If the 'Rate' potmeter is turned all the way counter clockwise it won't start up at all. With Rate set to 1Hz it takes a good 20 seconds to start-up and before the LED's light up. So make sure it's not on minimum when you switch on, or you could have a long wait on your hands. Turn Rate all the way up and it'll start up almost immediately.
The normal sinewave output goes from -7.2V to +7.2V with a frequency of about one cycle per 30 seconds to about 140 Hz. You can set the lowest frequency you want available with the trimmer on the print. I had a warning from someone on YouTube not to set the trim pot all the way down because his went up in smoke. I had no such problems when testing this print but I just thought I'd mention it here.
The Trapezoïdal wave has a higher amplitude and lower frequency so beware of that when you switch between them. It's maximum amplitude is -14,4 to +14,4 Volt and maximum frequency is 52Hz compared to the Sinewave's 140Hz. So you can roughly say the Trapezoïdal wave is double the amplitude and half the frequency of the Sinewave. That means both waves go high enough in frequency to be in the audio range so you can hear them. That opens up a wide range of uses for this LFO. One of my favourites is to have the CV control the Cut-Off frequencies of multiple filters and then feed the Quad LFO FM input with a ramp wave from an other LFO so you get a sweep. Sounds very cool!
The amplitude of the waveform(s) can be set by the dual gang 100K potmeter so you can set it at any level between zero and the maximum I just mentioned. The direction of the phase shifting between the 4 outputs can be turned around by the DPDT switch. You can see the direction it has by four 3mm LEDs on the panel. I didn't have an Orange LED so I used Red, Yellow, Green and White LEDs and the white one is quite a bit brighter than the rest so that's why it has a 12K resistor as current limiter and all the others have 1K2 resistors. This keeps the brightness perfectly in balance with the other three LEDs. One little drawback is that the LEDs only come on when the dual-gang output level potmeter is at the ten o'clock position or higher. At the lowest levels the LEDs don't light up.
Instead of the LM13700 you can also use the LM13600 and the TL074 can also be a TL084. From testing I also came to the conclusion that the 10nF caps don't necessarily need to be matched so closely. But remember they can NOT be ceramic capacitors. They don't work in this circuit. The two PNP transistors do need to be matched but you can use your multimeter's transistor tester for that and matched them to within 2 points of their hfe or amplification factor.

Here's the schematic I made the layout from:



Here's a picture of the finished panel:



Here are some screenshots from the oscilloscope:

Here you can see the beautiful and absolutely perfect sinewaves this LFO produces:



Here's the feature I added myself. Trapezoïdal waves. You can see the amplitudes differ a tiny bit from eachother but that's not a problem in normal use. It's the same with the Sinewaves btw.



Fast Fourier Transform (FFT) image of the sinewave at 11Hz. As you can see, it's a near perfect sinewave at this frequency. Almost no harmonic spikes to the right of the main wave. When the frequency gets higher the sinewave becomes a little less perfect but that's only visible on a oscilloscope's FFT readout, not with the naked eye:



Here's what happens when you add a Ramp wave from an LFO to the FM Input. You get a frequency sweep:




Finally a little video showing all the different aspects of this module.



Here's a video of the first test I did with the Quadrature LFO. The patch is set up as follows:
3 VCO's are feeding 3 filters with a squarewave. The Steiner, Korg and the ARP filters. The Steiner-Parker receives two sinewaves from the Quad-LFO, one on CV-1 and one on CV-2 which are 90° separated in phase. The FM input of the Quad-LFO is being fed by a 0 to 10V ramp wave from the other LFO. Each filter output goes in a different channel of the mixer where they are summed and the output then goes through the CaraOK effects unit set to preset 61 which is a chorus effect. From there it goes to the speakers. The "da-daa-dang da-daa-dang" drone you hear is produced by the waves from the Quad LFO. :)




Here's an other short sample of the Quad LFO. It's being fed by a slowly rising ramp wave and two of the outputs are going into the Steiner Parker filter. The ARP and the Wavefolder are also in the mix:



Just for my own record keeping, here is an image of the state of readiness my synthesizer is in now. I have 8 free power-buss connections left so plenty of room to build more modules in the near future.



Okay, that's it for this one. With special thanks to the folks over at the Synth DIY FaceBook Group for all their help in the initial troubleshoot.
As always, if you have any questions or comments please put them in the comments below. 
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4 comments:

  1. hello !
    Is the diagram ok with eurorack +12V instead of 15V power supply ?

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    Replies
    1. Yes it will work fine on 12V and the amplitude of the sinewaves stays the same 7V wether you use 15V or 12V so no problems there.

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  2. Hi!
    Could you give an advice for solving the problem I have with this module?
    I'm not able to get 90 and 180 degree sides of wave shape symmetrical even if I have tried many thing I can do, like replacing all the ICs, zener diodes and trying several TRs that I matched by hands. 0 and 270 degree sides of wave shape is not also symmetrical like you attached above, but somehow I can go with it. However the other side, 90 and 180 degree coming from 7pin of U2 are asymmetrical and even there are some steps. Where do you think I have to check?

    Thanks in advance.

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    Replies
    1. I'm sorry you're having problems with it. I can't suggest a troubleshooting strategy for you, without seeing the stripboard but what I always do if I can't find the problem is simply build it up again. Take a fresh piece of stripboard and rebuild the module. Be precise and mark off the components you soldered in on a printed version of the layout. I wouldn't know what else to suggest.

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